paper moon

 

Today I had one of my boarding school dreams. I was sitting in the car outside the boarding house with all my worldly goods crammed in the back. The carpark was empty, the sky unreal, and I was saying I’m too old for this. But still I went in. I sat in the corridor with my bags beside me. All the lights were off — it was just me and the bags and the apocalyptic light from the unreal sky blazing in through the windows.

I often dream that I’m back at school. I’m not sure what it means. It’s not particularly traumatic, though. Just a bit disorienting. When I was little I always dreamed I was in a moving car heading downhill with no brakes. I think that might have had something to do with being a very little person in a very big world, and having next to no control over it. That was probably one of my biggest childhood preoccupations, looking back on it. The problem of scale. The incomputable me-to-the-world ratio. 

I don’t know whether to blame my absence here on lethargy or stagefright. Or something else entirely. But let’s just chalk it up to lethargy — it’s easier, and probably not the worst explanation in the world.

For some reason — I think it might have something to do with thoughts of little girls attempting to take on the world — the film Paper Moon just came to me. I love that film. I wrote a lot of bad poetry about that film once, a very long time ago. And now that I live four minutes’ walk away from Aro Video I can probably get it out and watch it.

Tonight I did my squirrel trick and made food to stockpile while watching recorded house renovation programmes off the Living Channel, and then we went to see The New Pornographers. They were good. And I took lots of photos of THE VIC from the San Fran Bathhouse balcony. Like this one.

I have work tomorrow. I do mean to write more. I will, really. I will.

all things, everywhere, all the time

(And here, now.) I think I might have just been on my way to bed. But my Morrissey hits (yes, hits) marathon hasn’t quite finished playing out and I have half a glass of wine just sitting here… Plus it needs to be at least midnight before I can even begin to entertain the idea of a pillow.

These charming little mountain houses caught my eye just now. They’re probably not entirely structurally sound. But they’re beautiful and whimsical and just a little bit ethereal, which means they can get away with all the flimsiness in the world, should they wish to. Slipshoddily pretty is okay. Defunctly ugly most likely isn’t.

Morrissey makes me feel extremely happy. It’s odd. Maybe it’s an inverse proportionality sort of thing. All he needs to do is sing something like when will you die?  or I’ve changed my plea to guilty because freedom is wasted on me and I’m all awash with inner warmth and magnanimity.

Two things before bed. Or maybe more. I’m hardly one for counting.

Oh, and one before I start: I have been training Sylvie to do seal tricks. She’s like a mini panda crossed with a meercat. And also, just quickly, I just discovered sloths are cute! I think I thought sloths were the same thing as amoebas – somewhere in my head I must have made them interchangeable. Thank god for Google for clearing everything up. I might have gone forever without knowing the difference.

Right, but seriously now.

1. I have a real thing for pictures and stuff you can touch. Words are okay, but I’m a bit over them to be honest. I think that’s why I spend so much evening time on sites like A Journey Round My Skull and Anonymous Works. (And fabric and ceramics websites, etc.) Just filling my eyes with things I don’t have to think too much about. An antidode to the day’s ant-march of text and all its attendant braincramp.

I have finished studying until February. And in February I am going to study pretty (and also ugly) things — actual things, not just things represented by words — for a whole year. And it counts, credit-wise, towards all this postgrad nonsense I’ve got myself in for (which is quite possibly the most awesome loophole in the academic system that I have ever discovered). I think I have to use words to talk about the things, but I can live with that. This year’s study effort was fucking fucking awful. I hated it all. But pretty things will be okay.

2. This internet caper is quite something. I know I say that a lot. Quite soon I will have finished Christmas shopping for the entire family, on both sides, and I will not have set foot inside a shop to buy even one thing. (That’s no exaggeration, either — I have wrapping paper left over from last year and I have made all my cards. I might need to buy some more ribbon, though, although I think I am actually going to improvise, in a craft-Macgyver sort of fashion.) And as of today our wine is delivered to our doorstep. I’d order groceries online, too, but I have a bit of a thing for aisle-meandering. 

More stuff than you could poke even the giantest stick at, day or night. Morrissey would possibly not approve. Not that I would ever dream of supposing what Morrissey would or wouldn’t do — that would be bordering on the sacrilegious. As for me, it just makes my little head hurt, but mostly in a good way.

nice jugs

I couldn’t help it. I was at a loose end (aka procrastinating) and I got the urge to photograph my jugs. Actually, all the other photos I took just now came out a bit spack, but the jugs were nice, so I went with the jugs.

I’m not even supposed to be here. I’m supposed to be beavering away in an intimidating sea of backlit whiteness (aka Microsoft Word). Oh but the internet is so much more colourful. All that white creeps me out. Big time. It’s so nasty and sterile.

electric white-out --
blanket of pixels like a
twink pen hemorrhage

There you go. That’s my Haiku for Microsoft Word.

tadaima!

Well well. I have spent the last ten minutes or so transfixed by pictures of unicorns. Only because I couldn’t find the photos of the rainbow I took from the Harbour Bridge this afternoon from a moving taxi. Stupid phone camera. I think there might have been one good photo in there too – the great syringe of Sky Tower momentarily radiant with rainbow light. I saw at least three rainbows today. It only occurred to me to photograph the third. Although I shouldn’t have bothered, as it turned out. Anyway, this is by far the best unicorn I have seen tonight.

Maybe it’s actually impossible to capture a rainbow on film. Like singling Bigfoot out for a mugshot or catching a mirage in a bucket or… I know it’s actually not impossible but at the time it did feel like a pretty elusive and unoutsmartable thing to be attempting to apprehend.

Solitary non-leisure travel is a funny thing. I like it, so long as I don’t have to be upright or civil in the red-eye hours. I won’t do that for anyone. (Unless, like this morning, they’re two years old and they sneak into my room and blindside me with their bamboozling cuteness before I am awake enough to understand what I have blearily agreed to.)   

It’s weird and kind of nice being alone for such long stretches of time. Unless it’s bumpy upon landing and I have no one’s hand to hold. That always feels a bit strange. It’s also weird finding something stupidly funny and having no outlet for it outside my own head. No one to validate the thing’s funniness. Which might mean that it’s not funny at all.

Like yesterday at the Auckland baggage carousel there was a taxi man waiting with his little blackboard thingy. He was waiting to pick up someone called A CHIU. Not particularly funny to most, maybe, but it felt like a bit of a missed opportunity to me, all on my own. And, what’s more, laughing uproariously all on your own = crazy.

Some things I will never learn, no matter how much I travel. Like: to cut down on items of hand luggage so as not to get tangled up in them with no sympathetic person beside me to share the burden of my overpacking habit. And to remember to keep a pen on my person at all times.

I don’t know what, exactly, I was planning to do on the flight home tonight. But I accidentally boarded the plane with no pen on my person, and began to get a quite antsy about it. The thing that’s ridiculous though was that even if I had had a pen on my person, all I would have done was sit there and watch hopefully as the drinks trolley advanced slowly down the aisle towards me. Or maybe eavesdrop a little. Or sleep. And it’s not like I was going to write anything of note on a 50-minute flight with about 5cm elbow room on either side of me. Maybe it’s a security blanket thing. Maybe it goes some way to explaining why I have such a giant personal collection of writing instruments.

 Today I thought a bit about how I really quite like Auckland. After all this time, I actually do. I pretty much spent most of my years as a minor there. Now I mostly just pass through. Yesterday the taxi stopped at the Ranfurly Road traffic lights and I looked in at the dairy where we used to sneak away from boarding school to buy 10-packs of cigarettes, back in the day when there was such a thing as 10-packs of cigarettes. Now it’s just strange snatches of memory, usually triggered from the backseat of a moving car, in transit between here and there.

In between meetings this morning I sat editing a Very Serious Document at a cafe down by the water. I thought back to younger me in the Auckland days. I wondered what younger me would have thought of older me. Older me, sitting with a fucked back with too many bags around me. Trying to stare at the words in front of me instead of the sunshowers out on the water. Checking the time. Checking emails without really even reading them. Mentally preparing for the day of glass-walled meetings ahead. Letting my tea go cold.  

all your beauty, all your wit, is a gift, my dear, from me

I thought about this poem a lot today. I’ll explain – in a circuitous kind of way – in a minute (first let me finish my lazy copy ‘n paste and compose myself).

*

Soliloquy of the Solipsist

Sylvia Plath

I?
I walk alone;
The midnight street
Spins itself from under my feet;
When my eyes shut
These dreaming houses all snuff out;
Through a whim of mine
Over gables the moon's celestial onion
Hangs high.

I
Make houses shrink
And trees diminish
By going far; my look's leash
Dangles the puppet-people
Who, unaware how they dwindle,
Laugh, kiss, get drunk,
Nor guess that if I choose to blink
They die.

I
When in good humor,
Give grass its green
Blazon sky blue, and endow the sun
With gold;
Yet, in my wintriest moods, I hold
Absolute power
To boycott any color and forbid any flower
To be.

I
Know you appear
Vivid at my side,
Denying you sprang out of my head,
Claiming you feel
Love fiery enough to prove flesh real,
Though it's quite clear
All you beauty, all your wit, is a gift, my dear,
From me.
*>*.*>*.*>*.*>*.*>*.*[{{*}}]*^*>*^*_*-*_*-*_*+*+*~*~*~*.*.*<*|*|*|*\*/*\*/*(*)*(*)*.*.*^.”^.”*……..

Today I was talking to the Radiant One. (Actually, we weren’t talking so much as we were communicating via a rampant and quite revolutionary corporate instant messaging set-up which has wrapped its super-effective interruptive tentacles tightly around my working day… to mostly good effect.)

The Radiant One is on the brink of international fame in some circles. We *talked* about that for a bit. We chucked in a few emoticons. (Well, how better to encapsulate our enduring bonhomie than with some well-chosen smiley faces with pokey-outy tongues?)

Then, moving onto more pressing matters, I asked the Radiant One to get a stamp made for me. Not knowing too much about the ink stamp world (other than I like to make excellent wrapping paper with them), I assumed the Radiant One would have to call for her carrier pigeon, plump its feathers tenderly, fuel it with breadcrumbs and tepid water, stuff a rolled up instructional scroll in its micro-chipped collar and send it on its way.

From there I pictured the pigeon winging its way to a far-flung, highly altitudinal place (most likely an attic or turret of some description – that seems to make the most sense) perched atop a barren hill,* enmeshed in the dewy gauze of the finest clouds. The old stamp maker would receive the pigeon on his windowsill, painstakingly unravel his directive, put plainly, double-spaced in Arial font 12, so as to avoid confusion.

Then the old stamp maker would set about with his supply of bubblegum-pink rubber and his suite of fine engraving tools. His cup of mead and wheatmeal crackers put to one side in order to ensure the utmost concentration. His hands trembling ever so slightly, eyes half closed as he made the first incision. 

The old stamp maker would work through the night. And the following night. And the one after that. Until he had in front of him, in his saggy hessian-aproned lap, the finest ink stamp known to humanity.

And by the time he had affixed his business card of gold-woven parchment and wrapped the stamp in layers of gossamer, saddled up the half-dead-from-waiting pigeon and sent it back to whence it came, it would be about three years too late for me. I wouldn’t have need for a stamp any more.

That’s what I pictured, anyway.

So I said to the Radiant One: How soon can you get me this stamp made?

She said: How soon do you need it?

I said: Now. Then I reconsidered and corrected myself. No, actually, I said, yesterday would be good, if you can manage it. 

Sure, the Radiant One said, probably cursing me. (Not that I’d blame her if she was. I make some fairly outlandish demands, on a fairly regular basis. Oh, but only with the best intentions, and always nicely.)

Apparently I am getting the stamp hand-delivered by tomorrow afternoon. Who knew they could turn around stamps so quickly!! A late night and sore wrists for the old stamp maker, maybe. But we will pay him handsomely, so I cannot let myself lose sleep at the thought of his RSI and droopy eyelids, or his hoarse early-hours-of-the-morning stammer as he watches a drizzly sun come up through itchy, unblinking eyes. Such is the cut-throat nature of commerce.

I thanked the Radiant One profusely for her swift stamp-brokering skills. I drew attention to her radiance, her irrefutable powers of persuasion. We talked some more about her imminent fame and whether the world is ready for it.

It was good fun. We carried on in this vein until we hit the outer reaches of absurdity, a mid-afternoon cul de sac of lapsed logic. And it made me think of this poem.

*Kinda like where Gargamel lives/lived

things I don’t like or endorse wholeheartedly

I had a very inwardly grouchy day today. Begrudgingly productive and inexplicably irked. I kept it well contained.

I’m not sure why the day panned out the way it did. Maybe because I forsook all writing last night for Mad Men and House, and then got out of the wrong side of bed all grizzly and icky.

Oh well, Yo La Tengo tonight.

A while ago I wrote a list of things I like and endorse wholeheartedly. I’ve been meaning to write the things I don’t like list for a while, and today seems like the very best day to do it.

THINGS I DO NOT LIKE OR ENDORSE WHOLEHEARTEDLY:

Asymmetry

Hidden catches, mean tricks or false advertising

Grit in the bed

Courtenay Place after about 10pm in the weekend

Subway (smells too much like bread)

Blues music

Gigs that start after 11 o’clock on school nights

Getting up before 8am

Tequila

SPAM

Growing basil (or should I say killing basil)

Blue biro

Southern Comfort

Tyre chalking

Cyber inanity

The Bee Gees

Spin class

Cabin fever

Being caught without a pen

chardonnay

lycra

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the day before the last day, and some animals I met along the way

I got these photos of the sheep the other day in Hastings. They’re not real. Sorry to spoil it, if you hadn’t worked that out already.

It is the night before we shut up shop and go back to real life. Therefore I am putting off going to bed.

I am listening to Rufus Wainwright and getting excited about life ahead and the Arts Festival.

Right now Rufus is singing I’m going to a town that has already been burnt down. I’m going to a place that has already been disgraced. I’m gonna see some folks who have already been let down. I’m so tired of America. I’m gonna make it up for all of the Sunday Times. I’m gonna make it up for all of the nursery rhymes. They never really seem to want to tell the truth. I’m so tired of you America. Making my own way home. Aint gonna be alone. I’ve gotta life to live, America.

Tell me: do you really think you go to hell for being loved?

And so on.

Tonight it rained here for the first time in ages.

Here are some other animals I’ve met in the last few days. Not live animals, any of them. But not roadkill, either, although I must say it has seemed particularly abundant on the country roads this summer. I have to draw the line somewhere (and am trying to forget the poor dead tabby I saw the other day). 

Consider this a prelude to my upcoming post: Animals in Our Art Collection (it may or may not be capitalised, depending on how grand I want it to seem). Probably a week or less away, but don’t hold your breath. I have a deskjob to check back into, after all, and carnage may await me there. Not that I’m supposing that you – whoever you are – would be holding your breath. It dawned on me a while ago that quite a bit of our art features animals in some way. It also quite often incorporates accidental typographical errors (another post in itself, I think), quite coincidentally. It’s sort of become a quirk of our collection.

These charming beasts adorned the walls in the pool room of a wedding we attended a couple of days ago. The leis are a nice touch.

That reminds me, I haven’t yet taken a photo of the letterbox gorilla. We must do that tomorrow before we leave town. All will be revealed. Letterbox gorilla has lost his santa hat though. I left the photo shoot a bit late, although we pass him often. Funny how you get complacent about the things you see everyday. And then one day their santa hat is gone, and it’s too late to do anything about it.

these are my bedroom eyes

Not really. What I mean is that I am tired. I am usually tired when I write this, as it’s usually more or less bedtime.

A summation of today:

I

got a bob

got thwarted by a locked steering wheel

talked about whether a leopard’s spots are hard-coded into the skin or if you shaved it the spots would disappear (still not sure, so thinking about googling ‘shaving leopards’ later)

got momentarily jolted by a 5.1 earthquake (momentarily thought that someone had driven into the building)

drove into the eye of a bomb scare (Featherston Street) but got diverted by the nice policeman in his fluoro get-up

tried to sleep through live comedy

got a hangnail that is now about an inch long and precariously attached due to compulsively but absentmindedly pulling at it

got given a present and a compliment, and from two entirely different people, for two entirely different reasons

heard that we all came from Africa once upon a time (it has just been discovered)

did a fancy trick with some HTML

got uncharacteristically carried away with ledgers

left work early

And that’s about it. Now drinking a white russian, shirking work, listening to the wind with the windows open. I wish there were more to report ( – actually – I don’t mean that at all – I’m just saying that) but there’s not.

the outer limits of the everyday

things to do with scissors & glueMost days I don’t go far. I walk to work. It takes me about 15 minutes. I live in town and work in town. In a typical weekday I traverse an area that I would estimate to be approximately three or four square kilometres.

If I consider the usual outer limits of my wanderings and could drag a piece of string around their very furthest (farthest? shite) reaches, I think the string would take the shape of an isosceles triange.

Every week day for the past month, halfway to work, there has been this weird red clay sort of thing in the gutter as I cross the road under the motorway overpass. It looks like an aorta covered in ash. I make the same observation (that it looks like an aorta) every morning, at about 8.53. It’s like something off a smoking ad. I  have no idea what it is actually.

Last night we went to an early play and beforehand we sat outside at the end of Courtenay Place, drinking and watching people return home from work.

I got pretty disoriented for a little bit; I’m pretty sure it wasn’t just the cider. I kept thinking back to when I lived in Mt Vic and how I always hung out down that end of town.

I thought about my walk home from work, back in the days when I was young and temping (I nearly wrote young and tempting, but that wasn’t it) and had no Wellington friends. I thought about Hash, the Elizabeth Street dairy owner, and how once a week on my measly hourly rate I would buy the fattest book I could find (but not from Hash) in the hope it would last me a full week, until the next payday when I could buy another one. How when I got home from work I would find my unhinged flatmate cross-legged on the sitting room floor in some Salvation Army cocktail dress or another with mirrors and small powder-filled ziplock bags spread out around her. How she would talk about how she was going to New York next week, to meet with people, even though she was always so far in arrears with rent money that I was  eventually incapable of covering it.

How I would shrug off her 5.46pm offers of getting fucked up, shut myself in my room, get out of my horrible awkward work clothes, get into bed (at around 5.49) and read until I was tired enough to sleep. Usually, when night came, I could hear people (I’d say 90% male) coming and going, and then most nights, a bit later on, the narrow old house would shake with nameless, amphetamised sex and I would try and mistake groaning for the sound of wind against the weatherboards. 

It was a pretty dismal time of life, for more reasons than just my living situation.

It was especially dismal the morning I woke up to find my car, cell phone and cashflow card gone. It was a Saturday. All I wanted was a packet of cigarettes and the newspaper. It wasn’t like I had big plans.

(We had been friends – up until the point when she moved in and promptly capsized into a drug-exacerbated mania – the kind of friends who conveniently share pin numbers. When I realised that the banks were right about not disclosing those sorts of things it was too late. My already bony account had been stripped down to its final dollar for tiny dollops of coke and a fifty bag.) My car had been joy-rode and then impounded. She didn’t even have money left to unimpound it, because it had all been spent on blow. And I didn’t have any money, either, funnily enough.

My poor little Fiat. I can’t remember how I managed to pay for its safe return. Probably I had to wait until next payday and forgo my weekly book.

So that’s what I was thinking about yesterday, before the play. And thinking how the boundaries of our immediate, physical worlds are usually so small, and how we just accept that what we know and what we see around us is what the world looks like.

Sometimes I go up Cuba Street in the weekend and am shocked at the amount of colour the Bohemian folk are wearing up that end of town, how messed up their hair is, how slow they walk. Sometimes I wonder when I got so old.

I have my morning ritual so perfected I could do it by stop-watch with a variance of less than a minute. I’m so bound into my pint-sized stomping ground that I’ve memerised the heart-shaped detritus in the gutters. Tomorrow I am going to pick that aorta up and take it home with me.

moon rock, branches, outdoor furniture and an odalisque from the internet

more than many sparrows

Dorothy sparrow poem

At first I posted this on its own but then realised the words were rubbish and the only truly identifiable things were the cut-out sparrows (which you could have worked out from the title anyway). 

So, a narrative. Si on an interview, which lasts for nearly 2 hrs. I’m supposed to be studying. So instead I talk on the phone to Sally and Singe and attempt to cut out the sparrow in Photoshop while I’m talking to them. I am totally shit at Photoshop. I took a night class earlier this year but then forgot to do my homework. And then I forgot what to do. Sometimes I try and get by using the eraser tool, which is a total cop out, but I couldn’t even master that tonight.

Then I do some work work, and then it comes to me. I will print the sparrow, and the wallpaper, and the Dorothy Sparrow poem I wrote last night in a strange surge before bed. And I will cobble them all together with scissors and glue. I have long been a fan of scissors and glue. They are marvellous, and not just the playthings of sloppy preschoolers. (Arts and crafts has a bit of a stigma attached to it, and for that reason I prefer makeshift art).

I like the concentration and the rough edges. The mess and the incidental, awkward late-night serendipity. The sheer procrastination and total immersion in the task at hand. I don’t think serendipity is quite the word. But it’s like making a found poem out of predetermined elements. You might call that cheating, but I just call it something I prepared earlier.

Like buying supermarket burritos tonight in place of the homemade French crepes the recipe called for… (Well, it’s a week night. I call it enterprising. Plus we have a busted oven (see 14 Sept). If I were being cocky I might even call it the No. 8 Wire mentality raring its ingenious head, but that’s a stretch.)

This belongs to Dorothy.

For ease of reading, it goes like this:

 

more than many sparrows

 

One time someone said to her

something like:

Each hair on your head is worth more

than many sparrows.

 

She loved the person at the time

or it was something akin to love,

or burning.

 

But she never knew what it meant

or how the conclusion had been drawn.

 

He was Confucius-like in wisdom

& the love was monumental,

solemn as a bird bath.

It did not concern itself with petty things.

 

It outlasted not much more than a swallow’s summer

or a swan’s song.

 

Sometimes, now, occasional sparrows

evoke in her

a sort of sadness (occasionally).

 

Who is she to suppose superiority to sparrows?

Who is she to still be banking on the old words of even older lovers

as if they are breadcrusts?